Paul returns to France and parts from Emma
A Woman of SubstancePaul McGill’s return to France separates him from Emma Harte at the moment their shared future has become precious but uncertain. He tells her that he is leaving the next day, offers faith in their bond rather than any assurance about when they will meet again, and returns to France in mid-February. The departure becomes more than a farewell: for Emma, it begins an anxious interval measured by letters, waiting, and the effort to keep love present across distance.
The departure is made real
The news emerges from Emma’s attention to Paul’s recent movements. He has been to the War Office and has also gone to say goodbye to his father; reading those actions together, she asks whether he is going and whether it will be soon. Paul quietly admits that she has understood correctly. When she asks when, he answers, “Tomorrow.” The brevity makes the separation immediate. It is no longer a future possibility to be held at arm’s length: it is due to begin the following day.
Paul responds to Emma’s distress through physical care. He takes the champagne glass from her shaking hand and sets it on the table, then draws her close and looks into her anxious face. The gestures make the impending absence tangible even before he leaves: his attention is wholly with her in the present, while the knowledge of tomorrow has already unsettled her. Emma’s exclamation registers the shock of the news, and Paul’s quiet admission confirms that the separation cannot be avoided simply by refusing to name it.
A promise against distance
To comfort Emma, Paul recalls something he read at Oxford about lovers facing separation. He invokes the words of Abélard to Héloïse: “This parting cannot be for long; for those who love as we do cannot be parted. We shall always be united in thought, and thought is a great magnet. I have often spoken to thee of reason, now I speak to thee of faith.” The historical lovers’ words give Paul a language for a parting whose duration and outcome he cannot control. Reason, associated with what can be known, yields to faith in the continuing connection between them.
Paul makes that reassurance personal. He tells Emma not to forget the passage, asks her to believe that they will remain united in thought, and says that he will carry her in his heart for the rest of his life. Emma replies that she loves him and cannot bear to be without him. The exchange does not make the separation less real; instead, it establishes the belief on which both must rely once presence is no longer possible. The scene’s emotional turn lies in that contrast: a departure fixed for the next day is met with a promise that love can survive it.
Paul then tries to keep their attention on the time still available to them. He asks Emma to be brave and says they will talk no more about his leaving, urging them to think only of the present until the conflict is over. His roguish smile and theatrical effort to distract her offer a change of register from the grave farewell. The tenderness and playfulness belong to the same response: he does not deny her sorrow, but tries to give their remaining hours a life beyond it.
Return to France and the waiting interval
The departure is confirmed in the account of Emma’s life afterward. Paul returns to France in the middle of February to rejoin Colonel Monash and the Australian Corps. By the beginning of April, he is still reported safe and well, but he and Emma remain apart. The later detail gives the farewell a concrete continuation: the promised departure is not merely announced and forgotten; it opens a stretch of separation in which news arrives, if at all, by letter.
While waiting at Chapel Allerton Naval Hospital during Winston Harte’s surgery, Emma thinks of Paul and takes his most recent letter from her handbag to read again. The letter is worn from repeated handling, and some of its words have blurred through her tears. Its physical condition records what the narration states directly: she has returned to it often, making the written message a substitute for the absent person. The hospital waiting room places her beside her injured brother, yet her thoughts also reach toward Paul, whose own safety she follows from a distance.
Waiting has become one of Emma’s chief occupations. A missing letter leaves her crushed and apprehensive; even a brief, hastily written note brings soaring relief. The emotional rhythm of the separation is therefore not a single continuous grief but a repeated swing between fear and reassurance, governed by whether news arrives. Paul’s assurance of unity in thought persists, but it does not remove the vulnerability of waiting or provide Emma with control over his safety.
Consequences for Emma and the relationship
By the time she waits for Winston’s operation, Emma is nearing her twenty-ninth birthday and feels worn down by her responsibilities. She leans her head against the hospital window, closes her eyes, accepts a nurse’s cup of tea, and sits waiting. That ordinary sequence sits beside the larger pressures of war, her brother’s surgery, and her separation from Paul. The image of waiting thus gathers more than romantic longing: it becomes part of the demanding present in which Emma must endure uncertainty while continuing to care for those around her.
Emma describes Paul’s departure as taking an essential part of her with him; without him, she feels incomplete, only half alive. The language makes clear how deeply the separation affects her, while the survival of their attachment is carried through the repeated reading of his letter and her response to each new message. Paul’s return to France gives their relationship a form defined by distance rather than ordinary companionship. The farewell’s central promise—that they will remain united in thought—becomes a sustaining conviction, but the blurred letter and Emma’s anxious waiting also show its cost: faith can preserve the bond, not abolish absence.